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The advantages of HLG HDR may persuade movie and TV show makers to adopt it as their new default standard when it is fully supported. Mr Leeming and Leeming LUT One version 501 for GH5 users have reported anomalies in various non-linear editors and colour grading plug-ins when applying the LUT to HLG footage, and testing is currently under way to work out optimal software and workflows.Īs with any radical advance in video production and postproduction, software needs to catch up with the capabilities of new hardware and this is no exception.

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While HLG HDR 4K 10-bit 4:2:2 production and post-production are not fully supported by current hardware and software, the wisdom of future-proofing your work has been borne out many times in recent years starting with the move to 1080p and then 4K. The GH5’s HLG (hybrid log-gamma) picture profile is intriguing given it is an HDR (high dynamic range) standard developed by the BBC and NHK for future program creation and broadcast in 4K and higher resolutions. Leeming LUT One for Panasonic Lumix GH5 and X-Rite Color Checkers Of course the other colours are fixed too, but skin is where you’ll see it most easily as it’s a pretty obvious shift from yellow to skin tone. At first this may seem like the LUT is not doing anything, but watch skin tones in particular when you apply it and you’ll see the difference. The new philosophy is zero brightness shift in the LUT itself, so the only shift is to the colour values.

Users of previous versions of Leeming LUT One may notice a change in the behaviour of version 501 when applying it to old footage, resulting in a darker rendition: Mr Leeming chose the GH5 as his benchmark camera and will be updating other Leeming LUT One camera profile 3D LUTs soon, enabling cinematographers using a range of cameras to start “with a common, colour-matched baseline, meaning much less time trying to match cameras in post before starting your creative grading”. Still frame of Paul Leeming, shot on Panasonic Lumix GH5 in HLG HDR mode then processed in Blackmagic Design DaVinci Resolve Studio 14. Untitled: Stories of Creativity, Innovation, Success – Paul Leeming’s Leeming LUT One for the Panasonic GH5 Now at Version 502 for HLG, V-Log L and Cinelike D – UPDATEDĪustralian cinematographer/director Paul Leeming has released version 501 of his groundbreaking Leeming LUT One camera profile 3D LUT for the Panasonic Lumix GH5 4K Super 16/Micro Four Thirds camera in three flavours based on which picture profile your footage is shot with – Cinelike D, HLG or V-Log L.You may wish to read this more recent article here: NOTE: Since this article was written some time ago, Leeming LUT One has been updated and improved again with version 502 and is to be followed soon with version 601.

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